Contrastingly, after running across field to Mallory Knox I couldn’t have been more pleased. Arriving in the tent for my personal favourite ‘Wake Up’ I was surprised and proud to see such an amazing crowd reaction for the band who were main stage openers last year. With ‘Asymmetry’ coming out in just two months time I was expecting a good mix of new and old material and I wasn’t disappointed, with the set consisting of ‘Death Rattle’, ‘1949’, ‘Hello’ and ‘Lighthouse’, dispersed with new song ‘The Remedy’ and recent release ‘QOD II’. When I saw Mallory Knox at Slam Dunk in May I felt a little disillusioned, with them not really living up to my expectations, but give them time to have a break and a stage like this and they certainly do shine. With their upcoming November tour featuring support from Frnkiero and the cellabration it was already worth checking out, but if you’re only going for Frank, please stick around for an amazing performance by Mallory Knox.
Following Mallory Knox, with another run across the field, I arrived at Jimmy Eat World’s main stage set in the middle of ‘Praise Chorus’. With their second set, headlining the Lock Up Stage later in the day, rumoured to be the tenth anniversary playback of the ‘Futures’ album in full, I wasn’t sure what to expect from this set, but I saw a brilliant mix of the best of an underrated band. For most of the set (comprised of ‘My Best Theory’, ‘Big Casino’, ‘Chase This Light’, ‘Let It Happen’, ‘I Will Steal You Back’ and ‘Authority Song’) there was little to none crowd reaction, but finishing up with two fan favourites, ‘Sweetness’ and ‘The Middle’ saw people running to the stage to dance to songs they would have been craving to hear live ten years ago. Jimmy Eat World might be one of the most experienced bands on the bill today, but they’re definitely not one of the most disappointing.
Next up were Enter Shikari who, sadly, were not having a great day. Due to distortion and mic problems, it just wasn’t their finest house. With drummer Rob Rolfe wearing a ‘Love Syria’ shirt and singer Rou Reynolds focusing on educating and inspiring the crowd to ‘Say no to homophobia. No to sexism and misogyny. No to the slimy 1% who own 50% of the world’s money’, the music side of things is just lacking. ‘Sorry, You’re Not A Winner’ evokes the expected crowd response of clapping and chanting along and ‘Arguing With Thermometers’ makes people go crazy, but other than that the set seems odd and unrecognisable. But this could have just been the distortion and mic problems, with sound fluctuating between loud and quiet and an inability to make out which song was being played at points throughout the set, as I’ve never seen a bad Shikari show.
Later on in the day, the second Jimmy Eat World set was revealed to be the highly anticipated ‘Futures’ in full, showing a much better reaction from the crowd that was mostly comprised of hardcore Jimmy fans. Sadly, I only caught the beginning of the show, as I was beyond excited to see Paramore, but they seemed to be performing better than they did in their earlier set.
Before I even start writing about Paramore, I’m gonna be completely honest and say this is going to be biased. Paramore have been one of my favourite bands for as long as I can remember and I’ve never managed to catch any of their live shows. So I obviously found their performance completely flawless. I’m sure you’ve already heard about the sound issues during ‘Ignorance’ and the acappella performance of ‘The Only Exception’, but those issues just made the show a once in a lifetime experience. Yes, it was a shame that the headline set that should have been an absolute triumph was riddled with issues, but it just showed what professionals Paramore is comprised of. Instead of taking a break, leaving the crowd booing and unhappy, they carried on despite the fact that everything was against them, and they battled through and came out on top. Anyone who has ever accused vocalist Hayley Williams of lip-syncing could completely eat their words, because her vocal performance was completely on form and utterly free of pitching issues. I’ve already admitted that I’m completely biased, but I like to think it was rightly so. All of my preconceptions about Paramore were absolutely confirmed. They truly are one of the best bands on the planet.
Still Into You
That’s What You Get
For A Pessimist, I’m Pretty Optimistic
The Only Exception
Brick By Boring Brick
Let The Flames Begin
Ain’t It Fun
On the other hand, fellow co-headliners Queens Of The Stone Age just weren’t Reading material. Playing their most popular song, ‘No One Knows’, second in their set caused a large chunk of the crowd to flood away to other stages, or to even leave the festival early. Singer Josh Homme seemed too introverted and melancholy after the absorbing stage presence of Hayley, making the set feel long and boring. It feels like they are a band much more suited for a headline slot at Download or Sonisphere. While most people were doubting Paramore’s suitability as a headline act, it seems that people should have been worrying about Queens of The Stone Age’s ability much more. Without even thanking the crowd or saying goodnight the set ended rather abruptly, making the conclusion of Friday night rather anti-climactic.
The first band I had previous knowledge of on the Saturday were Lonely The Brave, who played at Warped Tour UK back in November and performed on BBC Radio 1 Rocks back in June. Their set at Warped Tour was pretty forgettable and they were completely overshadowed at Radio 1 Rocks by the other superb bands who were performing in that week (namely Of Mice and Men, Mallory Knox and Lower Than Atlantis). And no matter how much I wanted Reading to tell a different story, it was just much of the same. The start of the set seemed stronger than usual, with vocalist David Jakes communicating with the crowd and proving his soaring vocals are something that sets them apart from the rest of the upcoming British rock scene, but after ten minutes every song in the set sounded exactly the same. Maybe, when they have a few albums under their belt, they’ll have more of a variety, but at this current time they really aren’t living up to their potential.
A band who were living up to their potential are American Authors, best known for song of the summer ‘Best Day Of My Life’, who absolutely smashed their first UK festival appearance. A lot of the songs were relatively unknown but that didn’t stop the crowd from bouncing along at every opportunity, showing that these guys really are ones to watch.
Running from American Authors over to the BBC Introducing stage for their secret set, it was an utter disappointment to approach the tent and discover Jake Bugg wailing out his so-called ‘hit songs’. For a secret set the crowd turn out was appalling and I wasn’t about to add to it, leaving immediately to catch the end of Royal Blood’s set (who, despite being a band I’d never listened to before, blew me away).
Next up, Lower Than Atlantis, who have been throwing out hits left, right and centre in the lead-up to their self-titled album release next month. The set started off much the same as any Lower Than Atlantis set; ‘If The World Was To End’, ‘Love Someone Else’ and ‘Motorway of Life’ evoking the same usual, amazing singalongs, followed by ‘Marilyn’s Mansion’ which seemed like an odd choice for a festival but got everyone moving more than I expected it would. ‘Deadliest Catch’ kept the tempo up and continued the throwback to older tunes, followed by ‘Another Sad Song’, with the lyrics “we all make mistakes from time to time, unfortunately for me, being me was mine”, giving a heart-breaking look inside the head of vocalist and lyricist Mike Duce. Following this touching moment with ‘English Kids In America’ perfectly exemplifies the development that the band have gone through in the last three years, with ‘Beech Like The Tree’ inserted between the new songs, meaning that ‘Here We Go’ closed their set. This was a complete triumph for a band who have gone from strength to strength and can only get stronger. If Lower Than Atlantis are performing at Reading Festival next year, they need to be on main stage and they need to be pretty high up on the bill; it’s only what they deserve.
If The World Was To End
Love Someone Else
Motorway of Life
Another Sad Song
English Kids In America
Beech Like The Tree
Here We Go
Following Lower Than Atlantis, over on main stage, were The Hives. I’ve only ever known two songs by The Hives; ‘Tick Tick BOOM’ and ‘Hate To Say I Told You So’, so I didn’t have any expectations from their live performance, but it was the weirdest thing I’ve ever experienced. Period. At the halfway point in ‘Tick Tick BOOM’ all of the members froze on stage for a good minute or two, while ninjas swapped members guitars. Singer Howlin’ Pelle Almqvist got all of the crowd sitting down, shouting “Don’t stand up, I’ll tell you when to stand up! I said sit down, don’t take a picture!” before taking a selfie with a fan and running further and further out into the crowd, with a worried security guard tailing him the entire way. The banter was impeccable (“Everybody shut up for a while!”) and despite the fact that it was completely bizarre and one of the most random things I’ve ever witnessed, I’m not gonna be forgetting The Hives live show any time soon.
Back over to the NME/BBC Radio 1 stage and it’s time for one of my all time favourite bands, Don Broco. Starting off with a partially acoustic ‘Yeah Man’, before exploding into fan favourite ‘Thug Workout’, singer Rob Damiani was quick to establish “I don’t want anyone getting squashed, take care of each other alright!” and while the push-up squad might not have been out in full force today there were still a hell of a lot of people who turned out to see this magnificent performance. Despite the fact that the microphone disconnected quite early into the set, the crowd carried them through the issues meaning that everything was resolved before it became a nuisance. The problem was fixed before they jumped into ‘The Whole Truth’, following it up with a new song that includes everything we’ve learnt to love in a Don Broco song; woah-oh singalongs and drummer Matt Donnelly performing backing vocals. The rest of the set comprised of everything you’d expect from Don Broco: ‘Priorities’, ‘Fancy Dress’, ‘Let’s Go Back To School’ (with a pre-song call out to Lonely The Brave, Marmozets and Lower Than Atlantis for being with them in the school of upcoming rock), ‘Actors’, finishing with ‘You Wanna Know’, the song that had been out for less than a week last time they played at Reading Festival. If you haven’t heard of Don Broco you need to check them out right now, as they’ve been announced as the headliner for the Kerrang! Tour 2015 and their new album is going to be absolutely fantastic.
The Whole Truth
Let’s Go Back To School
You Wanna Know
Both Foster The People and Imagine Dragons did rather predictable set closers; the former finishing with their biggest two hits ‘Pumped Up Kicks’ and ‘Don’t Stop (Color On The Walls)’ and the latter performing the extended version of ‘Radioactive’ that has become well known on the festival circuit in the last year.
I was excited about seeing Issues and was not disappointed, even with only knowing a couple of the songs they played. The sing-along for ‘King Of Amarillo’ was a brilliant show of how they are quickly growing to have a huge fanbase and, with the announcement that they’re supporting Bring Me The Horizon on their debut show at Wembley Arena, that fanbase is only going to get larger.
Jake Bugg and Arctic Monkeys are both acts that I would never have willingly gone to see out of a festival environment, so I was extremely hesitant about attending either during Saturday night. But with no one else to see, that’s exactly where I ended up. Jake Bugg and his wailing vocal had not improved from his earlier acoustic set, much to my dismay, so fighting through bleeding ears I hung around for the end of his set before taking a break to go and listen to Band of Skulls, who played the uplifting and catchy as hell tune ‘I Know What I Am’ which cheered me up immensely. Arctic Monkeys were, surprisingly, better than Jake, playing a lot of songs that I actually recognised: ‘Do I Wanna Know?’, ‘Arabella’, ‘Don’t Sit Down ‘Cause I’ve Moved Your Chair’ and, my personal favourite, ‘I Bet You Look Good On The Dance Floor’. Despite the fact that I absolutely detest the band I can’t discredit from their ability to headline a festival of this stature, even though it absolutely pains me to say that it was a pretty decent set.
But there was no way I was staying for the rest of it, because that would have meant missing Of Mice and Men. And that was just not happening. Kicking off with ‘Public Service Announcement’, the opening track from newest full length ‘Restoring Force’, showed screamer Austin Carlile bursting into action and the high energy lasted through the rest of their fifty minute set. Since the release of ‘Restoring Force’ back in January I’ve been saying it’s one of the best albums I’ve ever heard, and that doesn’t change in a live environment. The set was flecked with older songs, such as ‘OG Loko’ and ‘The Depths’, but the majority was comprised of their new release, with ‘Feels Like Forever’, ‘Bones Exposed’, ‘Would You Still Be There?’ and ‘You’re Not Alone’ all included in the set. Newest addition to the band, Aaron Pauley, proved how invaluable he is with his spectacular vocal performance and showed everyone that this might be a heavy band but they can have their emotional moments. With this being their first time playing Reading festival it was brilliant to see such a great crowd reaction and these guys are definitely one of the biggest cross-over bands from this genre into the mainstream. If they aren’t back at Reading festival in the future, it’ll only be because they’re too busy headlining Download or Sonisphere.
Opening main stage on the Sunday were The Story So Far, a band I didn’t have much previous knowledge of but had always intended to listen to, who put on a great performance and had a good crowd turnout for such an early band on the final day of the festival. With the recent stunt that Parker Cannon pulled on Warped tour (if you don’t know what I’m talking about check it out) everyone had been talking about this band and they were definitely worth arriving early to experience. Despite the fact that I didn’t know any of the songs I still had a very enjoyable time, and with Parker saying “Thank you for supporting us when we sucked! Well… We still suck,” it shows that this band have got a long way to go before the understand the talent that they possess.
Next up, Emily’s Army on the Lock Up stage. Drummer Joey Armstrong, son of Green Day’s legendary singer Billie Joe Armstrong, is the reason that most people know about this band but they aren’t as similar as I had expected. You can definitely see the influence, don’t get me wrong, but there are also vibes from The Beach Boys which make Emily’s Army an amazing combination. Again, I didn’t know any of the songs (apart from their cover of ‘Dancing On My Own’ by Robyn) so I can’t really assess whether they lived up to their songs in a live environment, but the show was fun and absorbing so I can’t really fault it anyway.
I checked in on Tonight Alive for two songs: ‘What Are You So Scared Of?’ and ‘Listening’. Quite frankly, I wish I hadn’t bothered. After the show at Oxford I was feeling so much more enamored with Tonight Alive, because I’d never really managed to see the appeal that’s caused such a huge fan base growth so quickly for them. At their Oxford show Jenna McDougall seemed so down to earth, wearing jeans and a t-shirt, but walking around stage in yellow jumpsuit trousers and a humongous hat paired with dreadlocked hair, it was just so far removed from that performance. Before anyone starts ranting, I don’t judge musicians ability on their looks, it was just one of the many reasons I was confused by this sudden alteration. Her voice seemed shrill and off pitch and it just didn’t live up to what I’d seen only five days before. One of the reasons I could see the appeal of Tonight Alive was because of how normal and easy to relate to they seemed to be, but that’s completely changed now.
Another thing that completely changed was my opinion of The Neighbourhood. Don’t get me wrong, I adore The Neighbourhood. I don’t think I can explain how much, or why, but something about this band just absolutely grabbed me. Their full length album, ‘I Love You’, is one of the smoothest debuts I’ve heard since ‘A Fever You Can’t Sweat Out’ by Panic! At The Disco hit the shelves back in 2005, but I just didn’t expect it to translate to a live performance. I always felt that the album was slightly auto-tuned… I don’t know if it actually was, but on ‘Sweater Weather’ especially you can definitely hear an effect. So despite the fact that The Neighbourhood are one of my favourite bands at the moment, I was absolutely terrified about seeing them live. But all of my fears were completely dissipated. ‘WDYWFM?’ saw people flooding into the tent at a speed that I hadn’t witnessed since the performance by Gerard Way, ‘Jealou$y’ was well recognised despite the fact that it wasn’t on their full length release, while finishing up with ‘Sweater Weather’ (introduced with the no fuss statement of “We’re gonna do the sweater one,”) and ‘Afraid’ was both predictable but perfectly executed.
Going from The Neighbourhood back over to main stage, I finally got to witness live the new Young Guns song that I left during their performance at Gloucester Guildhall. They performed the two new, previously unheard, songs (since revealed to be titled ‘Memento Mori’ and ‘Rising Up’, according to the BBC 1 setlist) one after the other which was an amazingly ballsy move for a festival set, following them with well-known crowd favourites ‘Towers (On My Way)’, ‘Dearly Departed’, ‘You Are Not (Lonely)’ and ‘Bones’. Young Guns always perform without fault and I can’t wait to see them again in the Wembley Arena environment in December, supporting Bring Me The Horizon (alongside Sleepwave and Issues, whose Reading set I reviewed earlier).
After the disappointing secret set on Saturday, I didn’t get my hopes up for the secret set on Sunday, but I was pleasantly surprised when You Me At Six walked out on the stage. I’ve always been an advocate for them releasing an acoustic album (or at least another acoustic EP) following ‘The Acoustic Sessions’ they released in conjunction with Banquet Records for Record Store Day 2011, so an entire acoustic set was like heaven for me. On the one hand, I did find it frustrating that all of the songs were taken from their most recent album, ‘Cavalier Youth’, which I think is the least impressive album they’ve created, but it was good to hear newer songs arranged in a different manner. The set was only five songs long: ‘Lived A Lie’, ‘Fresh Start Fever’, ‘Cold Night’, ‘Wild Ones’ and ‘Room To Breathe’, but it was one of the most beautiful and unmissable moments of the weekend, so you should probably go and watch it, or order the special edition of ‘Cavalier Youth’, out in October.
Due to staying at the You Me At Six acoustic for a little bit too long, I did miss the beginning of Papa Roach (but a reliable source has informed me that I only missed ‘Infest’, as I arrived for the end of ‘Between Angels and Insects’) but the rest of their set was pretty impressive. I’m gonna be honest and admit that I haven’t listened to much Papa Roach since the release of ‘Metamorphosis’, so I didn’t know ‘Where Did The Angels Go’ or ‘Burn’, but watching the energy that vocalist Jacoby Shaddix was putting into the entire performance really made me want to catch up on their recent releases. ‘Forever’ was an unexpected inclusion in the set list, made all the more enjoyable for that, but ‘Scars’ was an anti-climax, with backing vocalist Jerry Horton completely over-powering Jacoby, making the moment less heartbreaking and more irritating. The only recent song that I recognised was ‘Kick In The Teeth’ (due to it being completely over played on Kerrang! in the weeks following its release) but it had a much better atmosphere live. I didn’t know ‘Silence Is The Enemy’ or ‘Still Swinging’ but watching Jacoby running up and down the barrier in front of the crowd, randomly jumping on them or high-fiving them, was an experience I don’t think I’ll ever forget. With a brief interlude to pick out people in the crowd (among them someone carrying a large… erm… male instrument) Jacoby gave a quick impromptu cover of ‘All Star’ by Smashmouth after seeing someone dressed in a Shrek mask, declaring “Ugh, I hate that song, that shit makes me wanna throw up. I hate you Shrek,” followed by ‘…To Be Loved’, ‘Getting Away With Murder’ and the popular, anthemic ‘Last Resort’. If there was such a thing as not liking Papa Roach, any doubters in the crowd would have been converted with this set.
I didn’t catch all of Neck Deep, but it’s better than I’ve ever managed before (having missed them two times already) and I was pleasantly surprised. I’m not such a fan of the new pop-punk resurgence, filled with more punk than pop, but having heard such amazing things about Neck Deep and seeing their supremely fast growth in America over the last year I was eager to see them in a live environment. I wasn’t disappointed. ‘Losing Teeth’ and ‘Crushing Grief (No Remedy)’ were extremely well executed and even though I didn’t know many of their songs I had an all round good time. Breaking up their set for a quick run over to Sleeping With Sirens (I was desperate to hear ‘If You Can’t Hang’, don’t judge) I managed to get back just after ‘A Part Of Me’ started and it was great to hear such a good singalong for the homecoming heroes. With the Intercontinental Championships tour next February, Neck Deep are cementing their name as the best band in British pop punk and I don’t think anyone is surprised.
Back to Sleeping With Sirens for the very last word of ‘Congratulations’, I will admit I was fangirling just a little bit. I’ve been a fan since the acoustic EP ‘If You Were A Movie This Would Be Your Soundtrack’ and seeing them live feels like it’s been a long time coming, even if it’s been just over two years. Playing ‘Here We Go’ followed by ‘Low’ proved to be a slow procession into the set, with ‘Trophy Father’s Trophy Son’ and ‘Tally It Up, Settle The Score’ proving, in my opinion, that ‘Let’s Cheers To This’ was a much better release for the band. Squealer (well, with that high pitched vocal can you really call him anything else?) Kellin Quinn was superb, hitting notes that I had no idea existed, but breaking up a fast paced and fairly heavy set with the acoustic rendition of ‘With Ears To See and Eyes To Hear’ (following the hilarious “I like your giant cock, thank you for bringing that with you!”) was a stroke of genius, showing everyone that this band aren’t just popular due to the astonishingly high vocals; they genuinely do have substance. This was proved even further with the arrival of new song ‘Kick Me’, with it’s repetition of ‘Shit, shit, shit’ easy to remember and catchy as hell. Wrapping up with ‘Do It Now, Remember It Later’ and, the only song performed from their first album, ‘If I’m James Dean, You’re Audrey Hepburn’ shows why this band are so far up on main stage and will be so much further up next year.
If You Can’t Hang
Here We Go
Trophy Father’s Trophy Son
Tally It Up, Settle The Score
Scene 5: With Ears To See and Eyes To Hear
Do It Now, Remember It Later
If I’m James Dean, You’re Audrey Hepburn
Following Sleeping With Sirens on main stage were A Day To Remember. I’ve only ever seen them once, acoustically, so I had literally no idea what to expect from a live performance. I will admit, after the album ‘Homesick’, I kinda gave up with A Day To Remember. I don’t know why, it just seemed to happen. Starting off with ‘The Downfall Of Us All’ automatically had me hooked, as it was one of the best songs on that album, but I lost my focus again throughout ‘2nd Sucks’ and ‘Right Back At It Again’, meaning that even the triumph that was ‘I’m Made Of Wax, Larry, What Are You Made Of?’ didn’t completely redeem the set in my mind. Honestly, I’d written them off completely, with ‘Why Walk On Water When We’ve Got Boats’ seeming an odd fit to the set and ‘All Signs Point To Lauderdale’ sounding so much like so many other songs I’ve heard recently. However, my mind completely changed when they played ‘If It Means A Lot To You’. It’s the song that, I think, is clearly the best song A Day To Remember have ever written. Following it up with ‘Homesick’ was a stroke of genius, with frontman Jeremy McKinnon zorbing across the crowd and making sure that everyone was having an amazing time. He’s amazingly charismatic and his stage presence is completely absorbing (get it, cause he was zorbing?…) and it’s undeniable what an amazing live band they really are. I still wasn’t sure on ‘End Of Me’, so the new songs are going to take some time to get used to, but ‘Sometimes You’re The Hammer, Sometimes You’re The Nail’ was so completely them that it’s easy to see the influences from their earlier albums are still very much in play now. ‘All I Want’ caused one of the biggest singalongs of the weekend, by far, while finishing with ‘The Plot To Bomb The Panhandle’ was unexpected and more exciting because of that.
The Downfall Of Us All
Right Back At It Again
I’m Made Of Wax, Larry, What Are You Made Of?
Why Walk On Water When We’ve Got Boats
All Signs Point To Lauderdale
If It Means A Lot To You
End Of Me
Sometimes You’re The Hammer, Sometimes You’re The Nail
All I Want
The Plot To Bomb The Panhandle
I don’t know enough about The Kooks to form a solid opinion, but if you want a nice nostalgia trip with a bit of recent pop chucked in they’re a safe bet. With favourites ‘Naive’, ‘Seaside’ and ‘She Moves In Her Own Way’ scattered about the set and newest singles ‘Around Town’ and ‘Down’ at the beginning of the set, there was nothing really missing from this performance (apart from what I believed, apparently wrongly, was their biggest hit ‘Always Where I Need To Be’) and it seemed pretty well done even though I had nothing to really base an opinion on.
Having missed the surprise guest appearance from Alex Gaskarth of All Time Low, the end of You Me At Six’s set was much the same as any You Me At Six set; all the songs sound pretty good but they just don’t get me excited anymore because of the fact that the conclusion is always so predictable. Playing ‘Room To Breathe’, their newest release, along with ‘Bite My Tongue’ and ‘Lived A Lie’, there was nothing that shocked me, which meant it was a pretty average set to wander along to. I’m glad I saw the acoustic set, because it was something unique, but if You Me At Six don’t shake up their set list a bit more before the co-headline tour with All Time Low I’m going to be majorly disappointed.
Talking of disappointed, that’s exactly what I was with Macklemore and Ryan Lewis. Or rather, I was disappointed with the crowd’s reaction to them. If you go to a festival and there are bands/acts you don’t want to see, just don’t go along! Even if it means you aren’t close enough to your idols during their set, just don’t put yourself through the torture. From where I was stood, Macklemore was putting on an amazing performance; he ran through all of his major hits (namely ‘Thrift Shop’, ‘Same Love’ and ‘Can’t Hold Us’) in the first half of his set, while also giving us a listen to his new hit ‘Arrow’, but when they showed the crowd on the screen more than half of the people at the front just had no interest at all, which really bugged me. I’m not the biggest Macklemore fan. I only know the names of a few songs (to be precise, four songs; the four I just talked about) but I know that when you go to a festival you go to have a laugh and to have some fun and if you can’t dance along to ‘Thrift Shop’, I don’t know what you can dance along to. I would have stayed for more of the set if I hadn’t been such a big letlive. fan (and I still only managed to catch their last song) because it was a massive laugh and it was a very entertaining set, one of the most entertaining sets of the weekend to be precise.
Following my (brief) attendance of letlive.’s set, I skedaddled across to the Festival Republic stage to watch Mayday Parade, a band who have never managed to succeed in the mainstream but still have rather a dedicated fan following. No discredit to them, but it was a predictable set. Having seen and reviewed them back in February, it’s now six months later and I have nothing different to say. Frontman Derek Sanders was still lovable and energetic, but there’s still no spark that will grant them the success they’ve been working hard towards for nearly a decade.
When You See My Friends
Jamie All Over
Three Cheers For Five Years
12 Through 15
Oh Well, Oh Well
Next, with another predictable set closer, were The 1975, who finished with their massive hits ‘Chocolate’ and ‘Sex’. Vocalist Matt Healy seemed squeakier than usual, but no-one really cared at the end of the night; a good song to dance to is a good song to dance to, with or without vocal issues.
Finally, the main event. Closing the entire three day weekend of Reading Festival is a big feat for any band and none seemed better equipped to handle it than Blink-182, what with it being their second time in five years. As with any good Blink-182 show, it did not go as smoothly as anyone had planned. Tom DeLonge was stumbling over his words more than a drunk guy attempting to get home, fumbling through intermission speaking and even getting the words to ‘Always’ muddled up. His pronunciation still hasn’t gotten any better either, but if it had would we really have been attending a Blink-182 concert?! Again, the only word to describe the set list would be predictable with a little sprinkle of weird; no one was expecting snippets of covers or new lyrics for well known songs. But with no new album released since ‘Neighborhoods’, the album that filled most of their last Reading headline set, it seemed a bit premature to reinstate them at such a high degree. Don’t get me wrong, this is a band I will respect eternally for birthing such a diverse and impressive range of new acts. But tonight just didn’t seem to be their night. Yes, they played all of the hits (I’ll insert the set list below, I don’t really have any specific comments on specific songs) but they didn’t seem as sharp as usual, apart from drummer Travis Barker who doesn’t seem to have an off switch to his perfectionist playing. The banter seemed a bit off-kilter and just didn’t flow as easily as a usual show, which made the entire experience a little bit vexing. However, it was still an amazing performance. It might seem like I’m saying a lot of negative things but out of the three closing acts that performed this weekend, Blink-182 out shined them all, without a doubt. Interacting with the crowd, getting people dancing and jumping along, it was all out party season and it definitely felt like a welcoming to a band who might have been slacking a little bit recently but still have a solid collection of fans to fall back on. The introduction to the encore seemed abrupt, with vocalist Mark Hoppus shouting “that’s it, that’s the end,” before the band left the stage for what felt like an hour and then exploded back out with ‘Violence’, ‘Dammit’ and ‘Family Reunion’ (followed by a drum solo by Mark that was absolutely amazing) but with a band the size and calibre of Blink-182 they’re allowed to make some oddball decisions. How many bands would play a headline set at Reading Festival and turn out the lights at the midway point to play a song called ‘Happy Holidays, You Bastard’ in the pitch black? Not many, which is why I believe they’re one of the best headliners that could have been chosen despite vocal issues and a bunch of dud notes.
What’s My Age Again?
The Rock Show
Up All Night
I Miss You
Happy Holidays, You Bastard
Stay Together For The Kids
All Of This
Ghost On The Dancefloor
All The Small Things